142 bars of 6/4 -- not four -- at 210 BPM, 3:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-22, 33 and 37-38, and 3 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 5, 9, 10, 14, 23, 31 and 21 more.
9 more fills are written out on the fills page.
142 bars across 8 sections: 41 keep time, 28 are fills, 28 are stops and 38 are silent. The longest unbroken stretch of time is bars 36-42.
210 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
142 bars, about 3:24 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 5, 9, 10, 14, 23, 31 and 21 more.