108 bars of 4/4 at 112 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-21 and 23-24 -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 24 times: bars 7, 8, 11, 12, 25, 29 and 18 more.
10 more fills are written out on the fills page.
108 bars across 15 sections: 36 keep time, 24 are fills, 32 are stops and 4 are silent. The longest unbroken stretch of time is bars 18-24.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
108 bars, about 3:51 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 7, 8, 11, 12, 25, 29 and 18 more.