312 bars of 4/4 at 145 BPM, about 8:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 103-116, 128-133 and 215-228, and 5 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 62 times: bars 1, 2, 3, 4, 10, 12 and 56 more.
27 more fills are written out on the fills page.
312 bars across 27 sections: 185 keep time, 62 are fills, 30 are stops and 3 are silent. The longest unbroken stretch of time is bars 104-116.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
312 bars, about 8:36 at the written tempo. The course breaks it into 108 exercises over 29 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 62 times: bars 1, 2, 3, 4, 10, 12 and 56 more.