144 bars of 4/4 at 130 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-15 and 38-39, and 15 more places -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 9 times: bars 36, 40, 44, 52, 80, 84 and 3 more.
144 bars across 11 sections: 108 keep time, 9 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 129-144.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
144 bars, about 4:26 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 36, 40, 44, 52, 80, 84 and 3 more.