174 bars at 170 BPM -- fast, and 4:06 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44, 46 and 48, and 12 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 3, 10, 11, 27, 34, 35 and 22 more.
8 more fills are written out on the fills page.
174 bars across 20 sections: 114 keep time, 28 are fills, 5 are stops and 10 are silent. The longest unbroken stretch of time is bars 19-26.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
174 bars, about 4:06 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 3, 10, 11, 27, 34, 35 and 22 more.