103 bars of 4/4 at a walking 78 BPM, 5:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 27-29, 31-33 and 35-37, and 1 more place -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 29 times: bars 12, 26, 28, 30, 38, 40 and 23 more.
14 more fills are written out on the fills page.
103 bars across 10 sections: 57 keep time, 29 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 16-25.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
103 bars, about 5:17 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 29 times: bars 12, 26, 28, 30, 38, 40 and 23 more.