99 bars of 4/4 at a walking 86 BPM, 4:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 65-71, 73-75 and 77-79, and 1 more place -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 19, 20, 36, 48, 56, 64 and 8 more.
3 more fills are written out on the fills page.
99 bars across 10 sections: 65 keep time, 14 are fills, 5 are stops and 10 are silent. The longest unbroken stretch of time is bars 5-18.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
99 bars, about 4:36 at the written tempo. The course breaks it into 27 exercises over 6 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 19, 20, 36, 48, 56, 64 and 8 more.