258 bars of 4/4 at 141 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 113-119, 121-123 and 125-127, and 9 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 57 times: bars 7, 8, 22, 23, 24, 25 and 51 more.
18 more fills are written out on the fills page.
258 bars across 22 sections: 150 keep time, 57 are fills, 24 are stops and 10 are silent. The longest unbroken stretch of time is bars 223-237.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
258 bars, about 7:20 at the written tempo. The course breaks it into 66 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 57 times: bars 7, 8, 22, 23, 24, 25 and 51 more.