129 bars of 4/4 at a walking 104 BPM, 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12, 17-18 and 58-63 -- 7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 45 times: bars 19, 20, 21, 22, 23, 26 and 39 more.
9 more fills are written out on the fills page.
129 bars across 17 sections: 57 keep time, 45 are fills and 4 are stops. The longest unbroken stretch of time is bars 57-63.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
129 bars, about 4:42 at the written tempo. The course breaks it into 65 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 45 times: bars 19, 20, 21, 22, 23, 26 and 39 more.