105 bars of 4/4 at 136 BPM, about 3:05 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 10-16 and 20-21, and 15 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 19 times: bars 4, 8, 18, 26, 34, 46 and 13 more.
4 more fills are written out on the fills page.
105 bars across 9 sections: 74 keep time and 20 are fills. The longest unbroken stretch of time is bars 10-17.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
105 bars, about 3:05 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 4, 8, 18, 26, 34, 46 and 13 more.