188 bars of 4/4 at 140 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 51-57, 87-93 and 95-99, and 2 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 8, 22, 38, 46, 50, 58 and 14 more.
6 more fills are written out on the fills page.
188 bars across 17 sections: 115 keep time, 20 are fills, 40 are stops and 7 are silent. The longest unbroken stretch of time is bars 24-37.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
188 bars, about 5:22 at the written tempo. The course breaks it into 40 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 8, 22, 38, 46, 50, 58 and 14 more.