228 bars at 180 BPM -- fast, and 5:04 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 65-67, 69-70 and 73-75, and 13 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 32, 40, 48, 49, 61, 80 and 28 more.
13 more fills are written out on the fills page.
228 bars across 16 sections: 94 keep time, 38 are fills and 77 are stops. The longest unbroken stretch of time is bars 18-31.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 8 out of 100; the rest of the number is everything around it.
228 bars, about 5:04 at the written tempo. The course breaks it into 56 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 32, 40, 48, 49, 61, 80 and 28 more.