176 bars of 4/4 at 132 BPM, about 5:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42-48, 50-56 and 91-97, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 31 times: bars 32, 36, 39, 40, 41, 49 and 25 more.
13 more fills are written out on the fills page.
176 bars across 15 sections: 117 keep time, 31 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 5-31.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 45 out of 100; the rest of the number is everything around it.
176 bars, about 5:20 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 31 times: bars 32, 36, 39, 40, 41, 49 and 25 more.