176 bars of 4/4 at 130 BPM, about 5:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-31, 58-64 and 66-80 -- 28.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 20 times: bars 32, 39, 41, 57, 81, 88 and 14 more.
8 more fills are written out on the fills page.
176 bars across 10 sections: 126 keep time, 20 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-31.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
176 bars, about 5:25 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 32, 39, 41, 57, 81, 88 and 14 more.