148 bars of 4/4 at 123 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 69-75 and 77-83, and 4 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 8, 16, 20, 44, 76, 84 and 4 more.
2 more fills are written out on the fills page.
148 bars across 18 sections: 112 keep time, 10 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 106-119.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
148 bars, about 4:49 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 8, 16, 20, 44, 76, 84 and 4 more.