74 bars at 172 BPM -- fast, and 1:43 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 49, 53 and 57-59, and 2 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 24, 35, 36, 44, 47, 48 and 10 more.
5 more fills are written out on the fills page.
74 bars across 6 sections: 33 keep time, 16 are fills and 20 are silent. The longest unbroken stretch of time is bars 28-34.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
74 bars, about 1:43 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 24, 35, 36, 44, 47, 48 and 10 more.