103 bars of 4/4 at 130 BPM, about 3:10 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 25-27 and 29-31, and 5 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 38 times: bars 6, 8, 11, 12, 19, 20 and 32 more.
6 more fills are written out on the fills page.
103 bars across 7 sections: 49 keep time, 38 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 13-18.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 61 out of 100; the rest of the number is everything around it.
103 bars, about 3:10 at the written tempo. The course breaks it into 33 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 38 times: bars 6, 8, 11, 12, 19, 20 and 32 more.