243 bars of 4/4 at 150 BPM, about 6:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 129-131, 133-136 and 157-160, and 3 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 77 times: bars 22, 24, 32, 34, 36, 38 and 71 more.
25 more fills are written out on the fills page.
243 bars across 34 sections: 92 keep time, 77 are fills, 11 are stops and 38 are silent. The longest unbroken stretch of time is bars 89-95.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
243 bars, about 6:05 at the written tempo. The course breaks it into 93 exercises over 26 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 77 times: bars 22, 24, 32, 34, 36, 38 and 71 more.