142 bars of 4/4 at a walking 100 BPM, 5:41 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 22-25, 70-73 and 85-93, and 1 more place -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 80, 94 and 142.
142 bars across 18 sections: 105 keep time, 3 are fills and 20 are silent. The longest unbroken stretch of time is bars 117-141.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
142 bars, about 5:41 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 80, 94 and 142.