62 bars of 4/4 at 115 BPM, about 2:09 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 13-17, 19 and 33-35, and 1 more place -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
62 bars across 9 sections: 49 keep time and 2 are silent. The longest unbroken stretch of time is bars 51-62.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
62 bars, about 2:09 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.