149 bars of 4/4 at 153 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15 and 17, and 18 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 28 times: bars 12, 32, 34, 35, 36, 44 and 22 more.
3 more fills are written out on the fills page.
149 bars across 14 sections: 103 keep time, 28 are fills and 1 is a stop. The longest unbroken stretch of time is bars 13-25.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
149 bars, about 3:54 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 12, 32, 34, 35, 36, 44 and 22 more.