47 bars of 4/4 at a walking 90 BPM, 2:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-6, 11 and 16, and 4 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 4, 9, 10, 12, 21, 24 and 10 more.
4 more fills are written out on the fills page.
47 bars across 5 sections: 24 keep time, 16 are fills and 1 is a stop. The longest unbroken stretch of time is bars 14-20.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
47 bars, about 2:05 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 4, 9, 10, 12, 21, 24 and 10 more.