132 bars at 190 BPM -- fast, and 2:47 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 79-109 -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 16, 24, 40, 48, 110, 118 and 4 more.
2 more fills are written out on the fills page.
132 bars across 8 sections: 104 keep time, 10 are fills, 8 are stops and 3 are silent. The longest unbroken stretch of time is bars 80-109.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
132 bars, about 2:47 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 16, 24, 40, 48, 110, 118 and 4 more.