106 bars of 4/4 at 142 BPM, about 2:59 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-14 and 31-37, and 3 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 15, 16, 42, 44, 50, 60 and 4 more.
106 bars across 11 sections: 67 keep time, 10 are fills, 20 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-14.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
106 bars, about 2:59 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 15, 16, 42, 44, 50, 60 and 4 more.