92 bars of 4/4 at a walking 80 BPM, 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-11, 24-29 and 42-47, and 1 more place -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 5, 49, 57, 73, 77 and 91.
1 more fill is written out on the fills page.
92 bars across 8 sections: 69 keep time, 6 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 78-90.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
92 bars, about 4:36 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 5, 49, 57, 73, 77 and 91.