125 bars of 4/4 at 120 BPM, about 4:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 51-57, 83-85 and 87-89, and 1 more place -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 17, 25, 50, 58, 66, 76 and 9 more.
3 more fills are written out on the fills page.
125 bars across 8 sections: 96 keep time, 15 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 26-47.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
125 bars, about 4:10 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 17, 25, 50, 58, 66, 76 and 9 more.