81 bars of 4/4 at 130 BPM, about 2:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 4-5, 12-18 and 20-22, and 4 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 24 times: bars 11, 19, 23, 30, 31, 33 and 18 more.
8 more fills are written out on the fills page.
81 bars across 11 sections: 42 keep time, 24 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-10.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
81 bars, about 2:30 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 11, 19, 23, 30, 31, 33 and 18 more.