103 bars of 4/4 at a walking 95 BPM, 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 49-53 and 55, and 1 more place -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 8, 12, 20, 28, 32, 40 and 12 more.
6 more fills are written out on the fills page.
103 bars across 11 sections: 58 keep time, 18 are fills and 12 are stops. The longest unbroken stretch of time is bars 13-19.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
103 bars, about 4:20 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 8, 12, 20, 28, 32, 40 and 12 more.