115 bars of 4/4 at 127 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-7, 9 and 13, and 13 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 1, 20, 21, 31, 32, 33 and 13 more.
6 more fills are written out on the fills page.
115 bars across 8 sections: 83 keep time and 19 are fills. The longest unbroken stretch of time is bars 64-78.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
115 bars, about 3:37 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 1, 20, 21, 31, 32, 33 and 13 more.