160 bars at 181 BPM -- fast, and 3:32 of it without a break -- on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 30 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 42, 60, 79, 97, 99, 104 and 9 more.
3 more fills are written out on the fills page.
160 bars across 12 sections: 120 keep time, 15 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 133-150.
181 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
160 bars, about 3:32 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 42, 60, 79, 97, 99, 104 and 9 more.