91 bars of 4/4 at 125 BPM, about 2:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 60-67, 70-71 and 74-75 -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 8, 59, 69, 73 and 90.
91 bars across 8 sections: 60 keep time, 5 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 77-85.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 41 out of 100; the rest of the number is everything around it.
91 bars, about 2:38 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 8, 59, 69, 73 and 90.