133 bars at 180 BPM -- fast, and 2:57 of it without a break -- on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 17-19 and 21-23, and 4 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 18 times: bars 8, 15, 16, 24, 26, 28 and 12 more.
6 more fills are written out on the fills page.
133 bars across 11 sections: 78 keep time, 18 are fills, 20 are stops and 5 are silent. The longest unbroken stretch of time is bars 84-95.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
133 bars, about 2:57 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 8, 15, 16, 24, 26, 28 and 12 more.