115 bars of 4/4 at 115 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-19 and 37-39, and 9 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 58 and 115.
115 bars across 14 sections: 89 keep time, 2 are fills and 3 are silent. The longest unbroken stretch of time is bars 93-114.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
115 bars, about 4:00 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 58 and 115.