97 bars of 4/4 at a walking 92 BPM, 4:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-22, 35-46 and 61-71 -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 16, 34, 50, 60 and 72.
97 bars across 11 sections: 77 keep time, 5 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 74-88.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 35 out of 100; the rest of the number is everything around it.
97 bars, about 4:13 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 16, 34, 50, 60 and 72.