180 bars at 180 BPM -- fast, and 4:00 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 19 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 8, 20, 31, 32, 35, 36 and 17 more.
4 more fills are written out on the fills page.
180 bars across 11 sections: 132 keep time, 23 are fills, 3 are stops and 11 are silent. The longest unbroken stretch of time is bars 102-116.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
180 bars, about 4:00 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 8, 20, 31, 32, 35, 36 and 17 more.