133 bars of 4/4 at 116 BPM, about 4:35 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-9, 12-13 and 16-17, and 8 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
133 bars across 14 sections: 109 keep time and 4 are silent. The longest unbroken stretch of time is bars 115-133.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
133 bars, about 4:35 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.