112 bars of 4/4 at 150 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 44-45, 48-49 and 52-53, and 9 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 14 times: bars 4, 8, 16, 29, 36, 38 and 8 more.
8 more fills are written out on the fills page.
112 bars across 6 sections: 80 keep time, 14 are fills, 13 are stops and 1 is silent. The longest unbroken stretch of time is bars 82-112.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
112 bars, about 2:59 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 4, 8, 16, 29, 36, 38 and 8 more.