100 bars of 4/4 at a walking 105 BPM, 3:49 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49 and 54 -- 2.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 49 times: bars 5, 6, 7, 8, 9, 10 and 43 more.
13 more fills are written out on the fills page.
100 bars across 12 sections: 38 keep time, 49 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-4.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 80 out of 100; the rest of the number is everything around it.
100 bars, about 3:49 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 26 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 49 times: bars 5, 6, 7, 8, 9, 10 and 43 more.