160 bars of 4/4 at 150 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 33-39 and 61-67, and 1 more place -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 15 times: bars 8, 16, 32, 40, 41, 42 and 9 more.
160 bars across 17 sections: 123 keep time, 15 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 95-111.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
160 bars, about 4:16 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 8, 16, 32, 40, 41, 42 and 9 more.