113 bars of 4/4 at a walking 85 BPM, 5:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-22, 24-34 and 60-66, and 1 more place -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 41, 45, 51, 55, 57, 59 and 15 more.
8 more fills are written out on the fills page.
113 bars across 9 sections: 75 keep time, 21 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 19-34.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
113 bars, about 5:19 at the written tempo. The course breaks it into 35 exercises over 7 sittings, about 31 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 41, 45, 51, 55, 57, 59 and 15 more.