74 bars of 4/4 at a walking 88 BPM, 3:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 34-36, and 1 more place -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 1, 5, 9, 13, 17, 21 and 14 more.
5 more fills are written out on the fills page.
74 bars across 9 sections: 36 keep time, 20 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 50-55.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
74 bars, about 3:22 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 1, 5, 9, 13, 17, 21 and 14 more.