145 bars of 4/4 at 150 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-24, and 14 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 17 times: bars 9, 13, 25, 31, 45, 51 and 11 more.
8 more fills are written out on the fills page.
145 bars across 12 sections: 103 keep time, 17 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 32-44.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
145 bars, about 4:08 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 9, 13, 25, 31, 45, 51 and 11 more.