95 bars of 4/4 at 115 BPM, about 3:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-24, 33-34 and 53-55, and 6 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 22 times: bars 19, 20, 28, 32, 35, 36 and 16 more.
3 more fills are written out on the fills page.
95 bars across 10 sections: 59 keep time, 22 are fills and 3 are stops. The longest unbroken stretch of time is bars 6-18.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
95 bars, about 3:18 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 19, 20, 28, 32, 35, 36 and 16 more.