123 bars of 4/4 at 110 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-51, 53-55 and 57-59, and 4 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 41 times: bars 18, 26, 36, 38, 39, 40 and 35 more.
17 more fills are written out on the fills page.
123 bars across 13 sections: 62 keep time, 41 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 53-63.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
123 bars, about 4:31 at the written tempo. The course breaks it into 60 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 41 times: bars 18, 26, 36, 38, 39, 40 and 35 more.