90 bars at 180 BPM -- fast, and 2:00 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5, 10-13 and 34-37, and 2 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 19 times: bars 9, 16, 17, 18, 19, 22 and 13 more.
3 more fills are written out on the fills page.
90 bars across 13 sections: 38 keep time, 19 are fills, 18 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-5.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
90 bars, about 2:00 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 9, 16, 17, 18, 19, 22 and 13 more.