84 bars of 4/4 at a walking 105 BPM, 3:12 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 61-84 -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 18, 26, 31, 50, 56 and 57.
84 bars across 9 sections: 63 keep time, 6 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 59-84.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
84 bars, about 3:12 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 18, 26, 31, 50, 56 and 57.