128 bars of 4/4 at 125 BPM, about 4:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-10, 21-25 and 31-32, and 4 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 1, 33, 56, 57, 58, 86 and 8 more.
6 more fills are written out on the fills page.
128 bars across 18 sections: 89 keep time, 15 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 43-55.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
128 bars, about 4:02 at the written tempo. The course breaks it into 56 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 1, 33, 56, 57, 58, 86 and 8 more.