287 bars of 4/4 at 125 BPM, about 9:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 94-116, 122-128 and 154-161, and 1 more place -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 31 times: bars 6, 10, 14, 18, 20, 22 and 25 more.
14 more fills are written out on the fills page.
287 bars across 20 sections: 226 keep time, 31 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 253-287.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
287 bars, about 9:10 at the written tempo. The course breaks it into 66 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 31 times: bars 6, 10, 14, 18, 20, 22 and 25 more.