14 bars of 4/4 at a walking 100 BPM, 0:36 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 3 and 6 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 8 and 10.
15 bars: 10 keep time, 2 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 2-7.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 10 out of 100; the rest of the number is everything around it.
14 bars, about 0:36 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 23 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 8 and 10.