56 bars of 4/4 at a walking 98 BPM, 2:17 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 40-42 and 44-46 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 2, 12, 35, 36 and 55.
56 bars across 9 sections: 38 keep time, 5 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 41-49.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
56 bars, about 2:17 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 2, 12, 35, 36 and 55.